The Flexual Predator (Logo Power #9)

All Seeing Eye

In honor of the fabled Flex/Violent Reaction tour which recently hit Yankee shores, I'm inclined to unearth this guy for the second installment of Flex-based logo discussions.

The show was great, somewhat sparsely attended, but that's what I'd really expect for a hardcore house show in suburban Salt Lake City that wasn't featuring any bands on the Reaper roster *sigh*. Obstruct opened, and I'd received their No Life 7" as part of a trade I'd completed. Rippers for certain and should be sought out by all.

Here's a crappy iPhone/Picstitch shot I got, courtesy of a small room, bad lighting, and my own criminal inability to take pictures that aren't awful. Still, it should showcase SOMETHING from that night.

Top: Violent RXN/Bottom: Walk in the red light w/ the Flex

Violent Reactions set rang perfect, the inclusion of the Cro-Mags "Don't Tread on Me," an obvious hit. City Streets is a damn good LP that you should seek out.

Before the Flex had set up, I'd spent some time in the garage shilling some old T-shirts and making conversation with the singer, mostly about wrestling in the UK. Turns out he was a big Ring of Honor fan, which endeared me to the band even more, and I bought a shirt. (As the picture indicates) they played in front of some red lights, creating an ultra sinister atmosphere, and when they covered "Kickback" by Breakdown, I absolutely saw someone get moshed into (and subsequently through) a wall. Suburban discipline.

This ain't a show review though, so I'll move on to the real "meat" of the matter (i.e. cartoons in hardcore). Skinheads appropriating HC iconography shouldn't raise any eyebrows, but I like the fact that this bloke's got an eyeball drawn on the back of his hand (symbolism there? IDK man), he's planting a Union Jack into a misproportioned globe and he's carrying what's either a boxcutter or a strange looking banana. Excellente. Flexual education. Flexual deviant. Flexual reproduction. God bless a band that opens themselves up to such seamless wordplay.

The Flex - Flexual Healing Vol 2: (NOT EXACTLY A) Demo Dogz #8

I've got a great new formula...for BLACK AND REDDDDDD

The Flex - Flexual Healing Vol. 2 

In the Doghouse: Live at Mongrel Fest

I'd been wanting one of these tapes for a while, and finally managed to acquire one through a euro trade. I loaded praise on their first demo in Drug Dogs Newsletter #A and at this point they've also got a  7" out too. Since this is a live tape, I won't go too deep into the bands sound, but if you dig burly, mean, one-two-feck-you kinda old Boston stuff, then you've probably already discovered this band. 

The sound quality of this recording ain't terrible either. I'm not sure if that sample at the beginning was added in later, or if they opened their set with it, but either way it's cool. I wasn't really familiar with Mongrel Fest until I'd read Big Karl's review of it in Intro Changes #2. 

REXUAL REELING

Highlights:

-Mongrel Fest seems like a cool fest, and whoever got to see this set was privileged because this band rules. (I think I've seen the video floating around).

-There's a great "Unity" speech (that doesn't get too namby pamby) right before an excellent cover of Breakdown's "Kickback."

-Between songs, you can hear two moshers talk about how tired they are at this point in the day. Having never been to a hardcore show in the UK, I find it comforting that showgoers there talk about the same inane stuff.

-The "Get in the pit and touch each other" mosh call. 

-Youth of Today's "Take a Stand" gets the cover treatment at the end, and it sounds straight ferocious.

-You can download this tape/set in one entire MP3 at their bandcamp, here. 

The Flex Snoopy (Logo Power #3)

Snoopy slept on top of his house. He was a true renegade. He wears a punk collar. Taken from the newest tape by The Flex. 

Neutral Accents Fanzine (Weekly Seizure - 11.17.13)

Filthy Lucre

Greetings, groin grabbers. Got a huge order of things to read and listen this week, coming in from all corners of the world (see above). Great stuff. Particularly chuffed over The Flex Live at Mongrel fest tape, courtesy of my euro friend Fabian.

Fly the flag

1) Neutral Accents #5
I'd be remiss not to mention my favorite fanzine in America, Neutral Accents, and I recently snagged #5. 

I basically put Neutral Accents in the same camp as those "lad culture" mags (Think Loaded) that popped up in the UK throughout the 90's. They were mags which glorified a culture more than anything else, vying for the ribald interests of the modern English male through slick coverage sex, drugs, rock n' roll and copious amounts of SOCCER (erm...football). Perhaps NxA is the calloused, cynical and wholly depraved successor to these magazines, feverishly scraping into the corners of the modern male psyche. Pornographic illustrations, old rock n' roll, selective amounts of hardcore (none o' that B9 nonsense) and a series of film reviews (Grim Cinema) that rivals anything "The Academy" could put together makes it, in my opinion, the best fanzine in America. 

One for the freaks. For the rockers. For the knuckleheads who have Think I Care next to Thin Lizzy in their iTunes. 

#5 comes out swingin' with my favorite back cover image of all time (see above), a great interview with Hoxton Tom McCourt, "Captain Drack" (great raunchy comic about a Duke Nukem type with a mean streak), a guide to home brewing and an always great Grim Cinema section (side note: the review of Only God Forgives was so good, it convinced my girlfriend to rent it at Redbox. Thanks Neutral Accents, you saved our evening!). Plus, great layouts, funny pics and great reviews. If you're not on the Neutral Accents wagon, than you're on the wrong wagon entirely. Rectify it. There's still some zines available at their bigcartel! 

It speaks for itself

The Skaggs Savage Rhythm (Weekly Seizure - 11.10.13)

As we whittle down into the nitty gritty, meaty big and bouncy center of the winter holiday sandwich, remember to think about the things that really make life's casserole sweet: zines, riffs and the seasonal pumpkin flavoring of various desserts and hot drinks.

Plenty of fare to report this week (including a copy of the new Neutral Accents fanzine), but I've still gotta chew my way through it. 

I had a friend that used to smoke

1) The Skaggs - Savage Rhythm Demo Tape

I got this one through a euro internet friend (Unionwiththeabsolute) is the only name I know off the cuff, but the point is, he had the decency to send me this (and Lost in Space) zine, even after I totally failed at getting him a Get Down demo on Ebay. Good dude who's been a big supporter of Drug Dogs Zine. The Skaggs take their name from country music singer Ricky Skaggs and play a crooning style of early 2000's Wal-Mart Country...just kidding. They're a German band who take cues from the gritty likes of 86 Mentality, Void and I hear a little bit of SSD in the vocals. There seem to be a lot of european bands playing this style (maybe it's just my misplaced excitement for the Violent Reaction/The Flex tour that's supposed to hit Yankee shores soon) but I don't have any complaints about it. The demo itself sounds like a moderately crisp boombox recording (wish the drums were louder, but it makes the guit sound kinda fuzzed out so that's cool), and they take some stylistic cues from the "drawing Iron Maiden logos on my pee-chee folder" school of artwork (see also: Peacebreakers). Pick one up here because you could do far worse. Shout out to the Freaks and Geeks sample in "Wise Ways," weirdo/spooky guitar lines in "White Lies" and the screamed expletive which caps off "Sorry State." Ultimately, I don't care if you dig my comparisons. I like this tape, and think you should check it out if any of the aforementioned bands flip your cookie.

You know what he's up to now? He's Dead