Wednesday, November 16, 2011

Youth of Today - "Take a Stand" (Dylan's Dumb iPod #8)


Youth of Today isn’t really a band you can convince people to like. If it doesn’t make sense the first time, it’s probably not gonna make sense on subsequent listens. Somehow it’s always resonated with me...but I'm not that smart. I get in car wrecks all the time and I purchase books about baseball players who don't matter.
I don’t really care to resolve anyone’s hang-ups with YOT. Maybe it’s straight edge (and selling out, and re-claiming), maybe it’s that they’re as old as my parents and playing shows in 2011 (seriously though, have you seen those vids? Say what you want, but damn. Stage dive count is off the damn charts!) or maybe it’s just Ray’s voice (which is kind of annoying...but completely necessary for this band). Who cares. Banger track with a banger skank-mosh intro. It’d hard to isolate cuts from Break Down the Walls but this one’s elite. Super positive lyrics (not wimpy positive, save that garbage for 7 Seconds or whatever) and awesome call-and-response backups.
If I talk about this song any more I’m going to sound like a grown-retard, so I’ll just sign off with a cool YOT moment from This is Hardcore 2009. Slumlords get ready to play “Drunk at the Youth of Today Reunion” and Jeff Perlin goes “A lotta people think we hate Youth of Today. That ain’t true. I love Youth of Today. Who the hell hates Youth of Today?” Indeed.
Classic vid below. Check any of the new ones too. You'll still be impressed (and vaguely annoyed).


Thursday, November 3, 2011

Quicksand - "Tell Them Anything (demo)" (Dylan's Dumb iPod #7)

Link
As far as I know, this song never saw a proper release. I got it from some blog that had a whole bunch of B-Sides and rarities assembled. Normally I don't dig B-sides. They didn't make it to the
"real" album for a reason, and only annoying dorks go into histrionics over B-sides. (Overzealous Alkaline Trio and Hot Water Music fans, take note). Still, I'm a huge Quicksand fan, and they have a discography that's small enough to fully digest without too many problems. Like Nirvana...or a fast food meal. I can dig it.

A few thoughts:

A) I'm not sure what year this song is from, but probably 1998 or 1999 since they broke up in '99. I'm guessing this is a scrapped demo session for the new album that was to come out when they decided to reform for a bit.

B) For a demo session, it sounds pretty much like standard Quicksand studio material. Chunky riffs, Sergio Vega's grinding bass, a little o' that "Loud Quiet Loud" dynamic. It could have fit pretty easily on Manic Compression.c) These unreleased songs sound a little more hurt, a little bit more "brooding" than other material. Just a dorky observation on my part.
D) Walter Shriefels is an incredible musician and all of his bands are great.
There aren't any vids of this song, but here's a link to that B-Sides and Rarities comp that I found.

Thursday, October 6, 2011

Metallica - The Wait* (Dylan's Dumb ipod #6)


Originally by Killing Joke blah blah blah. I don't need to talk about my obsession with Metallica. Any male that didn't come up on this stuff...well he's probably perusing Ikea catalogs and/or writing Fan Fiction for some cut rate shit-com like Psych.

A few thoughts:
A) "Killing Joke" is a name that Metallica drops a lot. Critics (like Mick Wall in his book Enter Night: a Biography of Metallica) say that it was supposed to broaden their appeal, and prove that they weren't just brainless metal boner biters. However, like a moth to a freshly squeezed cake of goat dung, it's around this time that Lars Ulrich would do everything in his power to alienate fans, and James Hetfield would start growing his facial hair out in weird patterns (and Mullets...just look to the left).

B) It was also around this time that Metallica started messing around with a lot of punk covers. Hetfield admits to liking punk songs because "they're all about me. Not about dudes riding on horses wielding sabers." (Note to self: Write a HC LP specifically about dudes riding around on horses wielding sabers).

C) Hetfield's vocals sound like they were recorded over a prison phone that's been submerged in a pool of mouthwash....I like them a lot.

D) Kirk Hammett's solo is pretty heavy on the whammy bar (per usual) and a good indication of the kind of stuff he'd do on the Black album (and those thereafter) a few years later.

E) This is a (not very) produced attempt at initiating Jason "Newkid" into the band, and they slapped it on their $5.98 Garage Days Revisited EP. It's pretty much the same cracker-dry production they'd use on ...And Justice for All and further drive Jason into emotional devastation.

F) It was used in that dumb Jack Black movie where he molests all the kids and has a Fugazi sticker in his van. Truth be told, I don't really hate the movie because that montage with the Ramones song is pretty bitchin.

G) The intro is really eerie, and it's just one of the fifty Metallica riffs that hardcore bands should start pilfering for their own intros. Thus far, I've only ever seen "For Whom the Bell Tolls" (by Frostbite on the Posi Numbers '03 DVD) and "Seek and Destroy" by a metalcore band that I dare not name.

H) Does it not baffle anyone else that an EP composed entirely of covers managed to chart? That's fairly incredible to me.

I) Final thoughts: Metallica makes the tune their own. I didn't look too far into the lyrics, because Killing Joke lyrics are usually stupid. This is kind of the beginning of the end for good Metallica, but I'm a glutton for punishment, so I tracked the cassette down last time I was at Amoeba in Hollywood.

There are a few live versions of this song, but they're usually from the crappy "Madly in Anger with You" tour, and I'm not tryna make you any angrier at this band than you already are.


Song is copyright 1987 Elektra/Vertigo. Don't download it or Lars will be bummed. Low hanging fruit. I grab it.